The 2009 Sina China Best Seller List was appahire on January 5. Diffehire from the eappraisal of bestsellers by acceptable media that are completely voted by experts, this sina bestagent list is apaccepted by book sales volumes and netizen votes at a 50:50 weight in a bid to cultivate a bestagent list most apery the accessible opinion. In the end, His Legacy: Meet the Press, Common Sense by Liang Wendao, The Decape of Democanimated by Liu Yu, A Sentence Worth Ten Thousand Words by Liu Zhengyun, and The Logic of the Financial by Cheng Zhiwu were listed among the top 10 bestsellers in the sina list. Besides, Respect and Departure – To Japan by Zhang Chengzhi and The Dignity Public Life by Xu Ben, and some others were admitted into the four branches of literature, amapplication science, finance and life.
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At the website of announcing the bestagent list, His Legacy: Meet the Press and Grandma Van Gogh became focus of the public. The evaluations of the 2009 Sina China Best Seller List said that His Legacy: Meet the Press was most popular, because “This book is an ideal material on political ethics and political discourse.” “We believe in justice and decency in the world, although they have not yet been accomplished so perfectly.” Grandma Van Gogh was selected, because the granny from Henan countryancillary is actually a mirror of rural China in the cement-based Guangzhou City. In a live report, grandma Van Gogh said that she was advancing a new work, which was “a adadventure of locust affliction before liberation.”
Liu Zhenyun was admitted into the top 10 with his novel A Sentence Worth Ten Thousand Words. He said that it was a great eaperture to edge into the annual bestagent list. “Now, people across the apple know that the Chinese people are flush of money. But they also know that this piece of land does not geneamount thoughts. It is appropriate in a certain sense. China pushes forarea about 250,000 varieties of new books each year. But most of them do not have any new concepts or angles. They artlessly accommodate new materials for old concepts and angles.”
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